I’ve started this review a few times. One attempt discussed the massive success found by Donora’s Rostrum Records labelmates, Wiz Khalifa and Mac Miller. Rostrum seems to have the right distribution and press channels and is definitely doing something right commercially. Can that success be transferred to Donora, an act that has significantly less raps? It seems like to some extent it has. A previous album song, “The Chorus,” wound up on the Abduction soundtrack, nudging elbows with Train, Lenny Kravitz, and Raphael Saadiq. A few days ago, Teen Vogue blogged and streamed “The Untouchables,” one of the more anthem-ic tracks on Boyfriends, Girlfriends. Continue reading this post and comments »